Autor: christophpretzer

I have been very bad about keeping up this blog for the last… year or so. What I predicted at the opening happened and the actual work, which usually is not very blog-o-genic, kicked in. Apologies to all four of my readers! I thought I’d get back into the habit of writing here, by presenting a shiny, new, and very interesting text, I recently happened upon, which fits in very well alongside my other texts.

Historia Sicula: text and context

This new text is the Histora Sicula written in Medieval Latin by the Sicilian lawyer Bartolomeo da Neocastro. It covers the history of the Kingdom of Sicily between 1250 and 1293 and is regarded as one of the best sources for the history of Sicily and Southern Italy in the second half of the 13th century, in particular for the so-called Sicilian Vespers. It is relevant for the purposes of this project, because it also contains a passage on the loss of Acre, but more about this later.

Few details are known about the author: the Calabrian commune Nicastro now part of the city of Lamezia Terme has been identified as the likely Neocastro from where the Historia’s author Bartolomeo hailed. He seems to have been a lawyer, active mostly as a judge in Messina, and later also one of the four councils elected to assist the new mayor of Messina, after the dust of the Sicilian Vespers had settled. This is the extend of what can be gleaned from the historical record.

The Sicilian rebellion against King Charles, Nuova Cronica § 61. 14th century

From his writing it is clear that he was highly educated, not just in law, but also in literature: e.g. in the prooemium of his chronicle, he claims to have written his Historia in two versions, the first one in metrico stylo, probably in dactylic hexameters, and the second one in prose. He did so in response to his son asking for a more accessible version of the chronicle. Of these two only the prose version survives, but this one too is filled with references to Vergil, Lucan, and other authors of classical Latinity. Scholarship has also made it plausible that Bartolomeo was involved in several translations from classical Greek, in particular of the works of Aristotle, for King Manfred of Sicily.

Bartolomeo begins his chronicle with a clear mission statement: to tell Siculorum gesta […] contra Gallos (Remind you of anyone?). The conflict between the Sicilians and the French, in Bartolomeo’s account a conflict between between freedom-loving (Sicilian) rebels and their tyrannical (Anjou/French) oppressors, forms the backbone of his chronicle. It is addressed to the sons of Emperor Frederick II – mainly Konrad and of course Manfred. This historical narrative opens with Frederick’s, the origo […] operis huius, death at the Castell Fiorentino in Capitanata in 1250. It is depicted as the peaceful and dignified passing of an ideal and illustrious king. His mortal remains were then carefully transferred to Palermo, the burial site of his royal and imperial ancestors. After this the Historia focusses mainly on the struggles of the Hohenstaufen in Southern Italy and Sicily and later on the Sicilian Vespers. But toward the end chapter 12o stands out, and it is this chapter that makes the chronicle so topical for this project.

Themes and comparison to the Book of Acre

Chapter 120 frames news of the fall of Acre arriving at the papal court of Nicholas IV as a kind of „Botenbericht“: a Greek monk of the order of St Basil, called Arsenius, is presented to the pope and tells him what happened at Acre: „From a bitter heart, oh Holy Father, I will tell you about the most wretched event at Acre, if this pain has not already spread to your ears.“ In the monk’s now following account several interesting points stand out, which – interestingly and maybe surprisingly- show the most similarities to Ottokar’s aus der Gaal Middle High German version of the events in his Book of Acre.

Arsenius begins to describe the seemingly infinite size of the army amassed by the enemies in front of the city to conquer Acre: „There came together the numberless peoples of Damascus, of the Parthians, and an uncountable mass of Arabs. India, Libya, and all parts of the world, which were beholden to the realm of Babylon, sent their troops there.“ This is of course topical for the depiction of „heathen“ armies in medieval Christian narratives: their size spans the size of the world. From all ends of the globe the heathens come together to wage war on the Christians. Facing an endless sea of enemies has several advantages for the Christians: it builds on the Old testament-tradition [Gen. 10: Hae sunt generationes filiorum Noe, Sem, Cham et Japheth: natique sunt eis filii post diluvium] that only the descendants of one of Noah’s sons (Japhet), who went on to populate Europe, became Christians and that the other ones (the children of Sem and Cham), who went on to populate Asia and Africa, remained heathen. Thus it creates the sense of Christianity as an island surrounded by a sea of hostile heathens and imbues the ongoing confrontation with biblical authority. It also helps to rationalise the subsequent military defeat and the loss of the city: surely, if only a few Christians stood against an endless horde of all the heathen nations, from all ends of the world, there was no other way for this to end.

The generations of Noah, as depicted in an early print (Augsburg 1472) of Isidore’s of Seville 7th-century Etymologiae

The Book of Acre follows the same pattern by inserting a lengthy mustering of the heathen host, in which dozens of kings from far-flung fantastic locations pledge their armies to the leaders of the heathen world: the old and ailing soldan, his son and successor the young soldan, and the baruc, who is presented as a heathen analogon to the Christian pope. The outlandish numbers of the troops the heathen kings promise to bring forward against Acre amount to over 2 millions and the chronicle confirms that never in recorded history, not even when Babylon was captured by the Persians and King Balthazar was slain, had there been a host of such boundless size.

In the Historia Sicula’s report the Greek monk Arsenius then continues to berate the pope for his lack of action to support for the Christians of Acre. „But for you the thought of Sicily and its reclamation was too powerful, even if it is was not at all possible for you to reclaim it, and even though you knew of the suffering of Acre you slept, despite the perils of the world, and when the evil of Babylon grew and they learned of your lack of interest in the Egyptians, they moved across the desert with great clamour!“ The point of criticism that the pope is too focussed on reclaiming Sicily is shared again by the Book of Acre, which names this as the main reason why the pope does not come to help Acre. Later, when the Historia starts developing a topical catalogue of the many sufferings and inflictions that befall the people of Acre during the siege, the narrator has Arsenius come back to this point again and again. Throughout the siege they maintain hope that they will be saved by a papal intervention: Illi semper dabant faciem pelago, expectantes si ab occidente praesidiorum optata ventus vela portaret.

But, of course, this intervention never materialised.

Criticism of the papacy and peccatis exigentibus

The narrative voice of the Historia finds itself, like many other texts of this time too, compelled to come up with an answer to the question of how the loss of Acre fits into the larger scheme of (salvific) history. How can God, who is supposed to have ordained and decreed everything that is occurring in his creation, permit that his chosen people, the Christians, are losing, and their enemies, the Muslims, are winning? Isn’t history supposed to be the visible surface of his invisible plan for his creation? The established answer this question finds in Western thought since well before the crusades, is the recurring phrase peccatis (nostris) exigentibus: (our) sins require it! „Bad things happen to us because we ourselves have been bad and therefore are deserving of punishment!“ Historiographical texts from all over Europe, whether they reference the event only in passing or whether they are almost exclusively committed to relaying the course of events that led to the loss of Acre, resort to the logic of punitive divine pedagogy underlying this narrative.

Just one example, of many which could be referred to here, for this comes from the Gesta Boemundi archiepiscopi Trevirensis. This episcopal chronicle, written in Trier between 1299 and 1302, focuses on the life and deeds of archbishop Bohemund of Trier (1286-1299), but it does include a sizeable excursus regarding the subsequent falls of Tripoli and Acre, which leans heavily into the template of peccatis exigentibus. Both cities are explicitly destroyed due to the sinfulness of their inhabitants. And in the case of Acre its this sinfulness is further exacerbated by the city’s inability to learn from the example of Tripoli, conquered by the Mamluks two years previously: post dolorosam eversionem Tripolis soror eius Achon, habens oculos et non videns, aures et non audiens [Psalms 113:13–14], velud spis surda, nec tot et tantis sororis prostrate flagitiis emendata, diadema regni sola adhuc erecta cervice portavit indigne, peccatorum multitudine miserabiliter excecata.

The idea is fleshed out in the Gesta as an answer to the underlying question of theodicy: Et quare hoc? Quia dereliquerunt fontem sapientie; nam si in via Dei ambulassent, habitassent utique in pace sempiterna.

According to the Gesta destructions comes over the cities of the Eastern Mediterranean Littoral due to their inability to follow God’s via. Had they been able to stay on the via Dei, they would not have been punished in this way.

In the Historia Sicula Bartolomeo too gestures towards this idea, when he proclaims that it seems apparent that what is happening to Acre happens propter peccata populi but syntactically synchronises this with Romanae Sedis inconstantiam. The sinfulness of the people is only one reason moving God to allow the destruction of Acre. Equally important as divine movens is the unreliability of the Roman see. The narrator carries on with this theme, either by making the pope the target audience of adverse historical occurrence ordained by God, in order to spur him into action, or by implying his responsibility for the defeat. E.g. In his report to the pope Arsenius identifies the crusaders who fail to do their part in defending the city of Acre as crucesignati tui. Not just any crusaders, but the pope’s own crusaders. Furthermore, God does not answer the prayers of the Acconians to save them and leaves them to the heathens (filiis pravitatis) mostly for the reason that the pope himself would be educated: ut corripias temetipsum. Again, God’s dark pedagogy breaks through to shape historical occurrence. Thus in the Historia Sicula even the ubiquitous peccatis exigentibus argument is primarily used to implicitly and explicitly criticise the papacy.

The strong focus on criticism of the papacy fits well together with the pro-Staufen impetus of the Historia Sicula. And again it shares these two traits with the Book of Acre. There also is another extra-textual common trait between these two texts: they both can be contextualised with the crown of Aragon, after the Sicilian Vespers the emergent power in the Western Mediterranean. But exploring this connection might be a topic for another blog post.

Workshop at the GHI London on March 3 2023

The EU-funded MSCA project CITYFALL at the Institute for Classical Philology at the University of Bern is working on a critical translation of the so-called Book of Acre into English, in order to make this important and unique Middle High German source accessible to non-German language audiences. The translation will be published as part of Routledge’s Crusader Texts in Translation series. 
The Book of Acre was written by the Styrian author Ottokar aus der Gaal in the 1310s, and is in many respects a unique text. It forms a part of the monumental Styrian Rhyming Chronicle, which relates the history of the Styrian and Austrian lands from c. 1250 to the early 14th century. But in the context of this larger chronicle the Book of Acre constitutes a self-contained narrative excursion to contemporaneous events in the Holy Land, in particular the conquest and sack of the city of Acre, the last and most important harbour city held by the crusaders on the Eastern Mediterranean littoral, by the Egyptian Mamluks in 1291. It is the only Middle High German text to dedicate itself to the depiction of a specific and clearly identifiable military action of the crusades and also the only Middle High German text to conceive of itself programmatically as a lament for a lost city.

The workshop at the GHI London on 3rd March 2023 will bring together researchers from various universities across the UK (Oxford, Cambridge, KCL, UCL, Royal Holloway, Manchester, Aberystwyth) who are working on German medieval literature, language, and history to consider specific issues relating to this translation project and to discuss the translation of medieval sources in more general terms. The workshop will help achieve the goal of producing a translation that will work for various audiences with diverse interests, ranging from the philological to the historical.

1-2 pm, Sandwich lunch

2-2.30 pm, Introduction of project and opening discussion 

2.30-3.15 pm, Workshop phase I (translation)

3.15-3.45 pm, Tea break

3.45-4-15 pm, Workshop phase II (revision)

4.15-5 pm, Feedback and general discussion

5-6 pm, Roundtable & closing discussion

6 pm, Drinks

Generously supported by:

This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Sklodowska-Curie grant agreement No 101028770

When Cities Fall – Cultural Reflections of Loss and Lament

We are inviting submissions of abstracts to take part in the “When Cities Fall – Cultural Reflections of Loss and Lament” conference in Bern, Switzerland from 27th–29th May 2023.
“When Cities Fall – Cultural Reflections of Loss and Lament” is organised as part of the EU-funded MSCA-project CITYFALL, based at the Institute for Classical Philology at the University of Bern. At the moment we are very much hoping to have the event in person, but we will have contingency plans for an online/hybrid setup should the need arise.

The fall of a city is not just an incisive event with often catastrophic, long-term, and wide-ranging consequences, but also a moment that captivates the imagination, elicits intense cultural reflections, and is used to draw a dividing line in historical narratives. The global attention given to the defence, conquest, and fall of cities in recent and ongoing conflicts in Syria, Afghanistan, and now Ukraine demonstrates its continuing impact. Yet this is not a modern phenomenon. Since Antiquity the fall of cities has been used to mark historical thresholds, which in some instances originated sprawling mythological, historiographical, and literary traditions (such as those centred on the falls of Troy, Jerusalem or Rome). In pre-modern thinking the framing of the fall of cities in various media plays a crucial role: the stories of their (repeated) falls underpin discourses essential for the negotiation of collective trauma, the attenuation of experiences of loss and disorientation, and the generation of political authority and cultural identity.

The “When Cities Fall” conference seeks to bring together researchers from all backgrounds working on all aspects of city-fall-narratives in general and city laments in particular. There is no restriction in time or space to the sources that are welcome in this context: possibilities range from Sumerian chronicles, to classical epic and drama, to medieval poems, or modern media coverage. Moreover, we would be delighted about proposals working not just with texts but also with visual media such as manuscript illuminations or film.

Proposed papers could examine:

• The distinct traditions or individual sources focussed on (city) lament and/or fall-of-city-narratives.
• The historiographical uses of the fall of a city as an event, a threshold, or a period marker.
• City-fall-narratives as exempla and reference points.
• The migration of city-fall-narratives between different cultural or linguistic spheres.
• The parallels and differences between pre-modern sources and modern media coverage on the fall of cities.

• The anthropological roots, techniques, and purposes of the lamentation of cities.
• The relationship between city-fall-narratives, lament, and renewal or rebirth.
• The theological/spiritual/moral/ethical problems connected to the loss and destruction of cities and their medial framing and negotiation.
• Strategies to aestheticise death, loss, and destruction.
• The fall of cities as experiences of collective trauma and its cultural reflections.
• The narrative rationalisation of city falls as coping mechanisms.

Conference papers may be presented in English or in German. We are planning the publication of the conference papers in a peer-reviewed open-access volume.
There will be keynote lectures by Tamar Boyadjian (Michigan State University) and Ulrich Berges (University of Bonn).
Those interested in participating are invited to send an abstract of no more than 300 words to christoph.pretzer@kps.unibe.ch until May 31 2022.

Sadly not much I am doing at the moment is very apt to put it on the blog: I have two articles under construction with upcoming deadlines, so most of my time and energy goes there.

I did manage to update the post on the Templar of Tyre with a short section on the manuscript and its edition history if you want to risk another look (just after the halloumi picture).

When I get stuck with my articles, I do some reading on the role and status of French in Outremer or on Acre as a cultural centre. Here is some recommended reading I have really enjoyed on these topics:

• The French of Outremer, ed. by Laura Morreale and Nicholas Paul (Fordham Series in Medieval Studies), Fordham University Press: New York 2018.

This volume brings together several interesting contributions to the topic. I found the introduction (pp. 1-13) by Morreale and Paul and the first article by Laura Minervini „What we know and don’t yet know about Outremer French“ (pp. 15-29) particularly helpful.

Fordham University also has a project focussed on the French of Outremer. On their website you can find some very instructive short essays, which make for an excellent introduction, but also long lists of all the sources written in French in the Holy Land.

• Cyril Aslanov, „Crusaders’ Old French“ in Research on Old French: The State of the Art (Studies in Natural Language and Linguistic Theory 88), Springer: Heidelberg/New York 2013, pp. 207-220.

A linguistic deep dive into the formation and the morphology of „Outremer French“. Rich with examples and utterly fascinating, but sometimes so dense it becomes difficult to follow, in particular if you have to look up Old French words all. the. time.

Some key take-aways from my reading:

1. Old French, Francine, the Romance vernacular spoken in the Île-de-France and Paris at the time, became the lingua franca of the Latin Crusader states. We knew that but now I can state it with greater confidence!
2. The French spoken in Outremer through a process of koineisation emerged basically as another Langue d’oïl koiné parallel to Francine in Europe. Linguistically it seems to have been most closely related to the French spoken in the Northeast of the French language continuum: Picard, Walloon, Lotharingian, and perhaps Burgundian. This is not surprising since this is where the leaders of the First Crusade mainly came from and from where many nobles emigrated to the Holy Land, once the crusader states had been established.
3. In the Levant French came into close contact with other Romance vernaculars like Occitan (in Tripolis, which was dominated by langue d’Oc-speaking conquerors from what is now southern France), Norman (in Antioch, which was dominated by Norman conquerors from Southern Italy), and the various Italo-Romance dialects (in the coastal cities and later on Cyprus, mainly from Venice, Genoa, and Pisa). This led to a process of re-romanisation of the French spoken in the Holy Land, while French-French was surrounded mostly by Western Germanic languages and, as Aslanov puts it, „deeply [g]ermanized“.
4. There where several, usually one-sided, transfer processes of lexical material between French and the languages it came into contact with in the East. While Greek and Armenian took on French terms, French proved impervious to them. The other way round, French, that is Outremer French of course, did take on several Arabic terms, while Arabic did not adopt any French terms (with some prominent exceptions usually tied to the specific contexts of the crusades, like the Frankish words famously used by the Syrian knight and diplomat Usama ibn Munqidh in his Kitab al-I’tibar [كتاب الاعتبار‎, The Book of Learning by Example])
5. Outremer French was used in the Kingdom of Jerusalem and later of Cyprus for purposes that would have been reserved for Latin in Europe: legal texts, treatises, and charters, coins, seals, and inscriptions. In particular when dealing with non-Latin-speakers, the crusaders often resorted to French as the language of diplomacy and „international relations“.
6. The use of French in the Levant was highly innovative and productive. John of Antioch (NOT that one) wrote one of the earliest reflections on French grammar in French and the scriptorium in Acre produced breathtaking manuscripts of French texts like the famous Histoire ancienne jusqu’à César.
7. A possible reason for the great success of the French vernacular in the Levant might have been the contact with the Greek and Arabic-speaking world, where the functional diglossia of the Latin West did not exist.

Currently I am reading this:

• Jonathan Rubin, Learning in a Crusader City, Intellectual Activity and Intercultural Exchanges in Acre, 1191–1291 (Cambridge Studies in Medieval Life and Thought), CUP: Cambridge 2018.

I am only halfway through this intriguing exploration of Acre as a centre of intellectual activity in the 13th century, but so far it is a very immersive and sometimes eye-opening read.

Before I wrap this up, let me share with you my discovery of the month: there is a Hebrew lament about the fall of Acre in 1291!

In it, a certain Yosef ben Tanhum Yerushalmi, a Jewish poet living in Mamluk Cairo (!), combines the lament for a personal loss, the death of his father, the highly-regarded scholar Tanhum ben Yosef Yerushalmi, with the lament for a political catastrophe, the destruction of Acre. Yosef starts his dirge by temporally and causally connecting the passing of his father and „the arrival of the news about the massacre of all the scholars living in Acre, together with their entire families, upon the conquest of the city by the Muslims“.

Some context: during the 13th century an influential, well-connected, and prosperous Jewish community had developed in Acre. It was particularly highly-regarded for the learnedness of its scholars. This community was destroyed when the Mamluks captured Acre. This destruction is also corroborated by Rabbi Isaac of Acre who escaped to Spain and later recalled the burning of the synagogue in Acre.

Yosef’s poem is rich with biblical imagery and deeply embedded in the Hebrew elegiac tradition, which of course is founded on the Book of Lamentations (אֵיכָה‎, Êykhôh in Hebrew and as part of the Ketuvim part of the Hebrew Bible). As such the text is heavily shaped by conventional motifs and poetic elements. It does not really offer an account of the events or even of what exactly happened to the Jews of Acre, but the language of lamentation shines brilliantly.

Woe! For blood was shed in God’s house, and their blood is easily worth gold of Parvayim.

It was a very bitter tragedy in the eyes of everyone who heard of it, like the day of the destruction of Jerusalem.

A noble community was killed because of their love for God, while they were stretching out their hands to Him in supplication.

Judeo-Arabic Heading and Hebrew Poem (on the Basis of Manuscript EVR II, A 100/1, fol. 16a–b, National Library of Russia), ll. 18-20

The parallelisation with the fall of Jerusalem and the effect, which the news of this event has, as it spreads, is of course striking. References to the destruction of Jerusalem are often many-layered. Shades of the Neo-Babylonian capture under Nebuchadnezzar II in the early 6th century BCE mingle with the catastrophic sack of the city by the Romans in 70 CE and of course the bloody conquest by the crusaders in 1099 as the culmination of the First Crusade. In the tradition of the Hebrew elegy, the destruction of Jerusalem and of the Temple is the ultimate political catastrophe and the worthiest cause for lamentation. In Yosef’s elegy this context is evoked to elevate the memory of his father and to emphasise his status as a man of wisdom and knowledge.

That the Jews of Acre were killed „because of their love for God“ and during prayer, turns the dead of Acre into martyr-scholars and posits the poem in the long tradition of Jewish martyrdom tales. The martyrdom of the Jewish scholars is elevated by the connection to the destruction of Jerusalem and in turn their martyrdom elevates the status of the place in which they were killed, since their blood is as valuable as the gold of Parvayim, the finest gold imaginable used by King Solomon to decorate his temple in Jerusalem [2. Chron 3:6]. The relationship between the falls of Jerusalem and Acre is mutually enforcing and elevating as causes for lamentation of the highest poetical order.

I am not sure why, but it is tremendously exciting to find this beautiful and deeply moving lament for (not only but also) Acre in a non-Latin/Christian/Western/European context.

All of this has been made available to the grateful non-Hebrew speaking/reading reader in this article:

• Joachim J. M. S. Yeshaya, „A Hebrew Elegy by Yosef ben Tanhum Yerushalmi on the Death of his Father and the Mamluk Conquest of Acre“, in Frankfurter Judaistische Beiträge 39 (2014), pp. 33-52.

Puis qu'Acre fu desheritée
Et toute Surie gastée,
Est nostre siecle entalanté
De bonté en grant mavaisté.

When Acre was despoiled
And all Syria laid waste,
The world longed for some good thing
In the midst of great evils. 

ll. 29-32

Apologies for the delay. I was otherwise engaged with (finally) finishing an older project:

In this post we will begin our survey of texts lamenting the fall of Acre with a fun one (spoiler alert: they are all fun ones). The chronicle of the so-called Templar of Tyre was probably written in the second decade of the 14th century in an elegant Old French, more typical of courtly romances than of historiography, flavoured with some Italian. It forms the third part of the so-called Gestes des Chiprois, a history of the Crusader Kingdom of Cyprus, which survives in only one manuscript, with a turbulent history: Torino, Biblioteca Reale, Varia 433.

A colophone helpfully informs us that the manuscript was copied from an original in 1343 by one Jean le Miege, at the time a prisoner to Aimery de Mimars, castellan of Kyrenia Castle on Cyprus. Miege can be translated with „physician“, which is why the copyist of the Gestes is sometimes referred to as Giovanni il Medico, but it also seems to have been a common French surname at the time. The manuscript has no title, since the beginning is missing, but the 16th-century Venetian-Cypriot chronicler Florio Bustron (who is otherwise known for being the first European to write about halloumi – calumi in his Italian) in his Historia overo commentarii de Cipro referred to it as one of his sources, calling it the Gesti di Ciprioti. From here the 19th-century editors of the Gestes derived its French title.

As mentioned above the one manuscript – Torino, Biblioteca Reale, Varia 433 –, in which the text survives, has a bit of a turbulent history: the copy produced by Jean le Miege in 1343 somehow found its way from Kyrenia on Cyprus to Verzuolo Castle in Piedmont, Italy. There it was found, at the bottom of an old chest, by two amateur historians, Count Massimo Mola di Larissé, who also happened to be the owner of the castle and Carlo Perrin, poking around in the castle attic. Perrin made an attempt at producing a diplomatic copy of the manuscript, but he also alerted Count Paul Riant of the Sociètè de l’Orient Latin to the manuscript’s existence. Intrigued Riant expressed interest in editing the text, but Perrin demanded to be involved in the process. As Riant seemed to have considered Perrin’s diplomatic copy sub-par, he declined. Perrin in turn declined to give the society access to the original so they had to make do with the diplomatic copy for their edition, produced by Gaston Raynaud, which was published in 1887, as did the Recueil des historiens des croisades, whose edition came out in 1906.

With Perrin’s death the manuscript disappeared and was not found again until 1979, when Alda Rossebastiano, scholar of Italian literature, stumbled across it in the Royal Library of Turin, where it ended up via the library of king Victor Emmanuel III of Savoy. But since Rossebastiano only published a small note about her find in an Italian-speaking journal on literature, it took another fifteen years until crusade historians became aware of the rediscovery of the manuscript. In 2001 Laura Minervini produced a new edition with an Italian translation (which is surprisingly difficult to come by) and in 2003 Paul Crawford translated the text into English for Routledge’s Crusade Texts in Translation series. This really opened up the text to enquiry from beyond the romance-speaking world. Most of the information here is taken from the meritorious introduction of his work.

The compiler of the Gestes has been identified as Gerard de Montreal, a Cypriot knight, who some time after 1314 (the last year to be recorded in the chronicle) and before 1321, (the year in which the Secreta Fidelium Crucis by Marino Sanudo, who made use of the Gestes as one of his sources, were presented to the pope), compiled three different texts to the Gestes as they survive in the Turin manuscript. Between them they present an account of the history of the Crusader Kingdom of Cyprus from 1143 to 1314. Earlier editors tried to establish whether or not Gerard and the Templar of Tyre are identical. While there is nothing which renders this identification impermissible, there also is nothing that would directly suggest it.

The first of the three texts of the Gestes is a collection of brief annals known as the Chronique de Terre Sainte, tracing the history of the world down to the year 1218. Since the first couple of pages are missing, it is hard to tell when the Chronique started. Internal references suggest two possibilities: either the creation of the world or the First Crusade.

The second part of the Gestes is the Estoire de la guerre des Imperiaux contre les Ibelins a highly partisan pro-Ibelin account of the so-called War of the Lombards witten by Philip of Novara

Finally, the third text is the chronicle associated with the otherwise anonymous Templar of Tyre, in which we are most interested here. The so-called Templar was – as basically all commentators since the 19th century have felt obliged to point out – not actually a Templar. For example, he was not arrested in 1308, with all other Templars of Cyprus. And while he presents a detailed account of the persecution of the Knights Templar in the following years, the events do not seem to have affected him directly and he maintains a professional distance throughout. It seems much more likely that he was a clerk or a scribe employed by the Templars, but really the only things we can say about him, we know from his own writing in his chronicle, so all the usual caveats about literary self-fictionalisation apply.

With this said, it does not seem entirely unlikely that he was born into (minor?) French-speaking nobility on Cyprus around the year 1255, served the House of Monfort based in Tyre for a significant time (c. 1269-1283), before moving to Acre and into the service of William of Beaujeu, the grand master of the Knights Templar, around 1285. The Templar of Tyre seems to have enjoyed privileged access to the grand master and also to contacts and information, e.g. the names of high-ranking spies in Cairo, capital of Mamluk Egypt. Because of this Paul Crawford speculated that the Templar of Tyre might have been some sort of „private intelligence officer“ to William of Beaujeu.

The Gestes place both the grand master and his scribe at Acre in 1290 and it is generally accepted that he was indeed an eye-witness to the events leading up to the capture of Acre by the Mamluks on May 28 1291. The main reason for this is the vividness, comprehensiveness, and accuracy of his account. Since these qualities seem noticeably diminished after the death of William of Beaujeu during the defence of Acre on May 18, Crawford suggests that the Templar of Tyre was among a small group of Templars who slipped out of the city after William’s death and made it to Sidon. Indeed, the account of those final ten days, between the death of William and the fall of the last crusader hold-out in Acre, seems much less engaged and was maybe informed by second-hand accounts after the events. After Sidon the Templar of Tyre ended up in Famagusta on Cyprus, where he probably wrote the chronicle.

The chronicle does not stop after the loss of Acre, but the capture constitutes the pivotal event of its account. In the next post here, we will take a closer look at what the Templar of Tyre has to say about the fall of Acre and how this fits into the scope of CITYFALL.

This post is the first in a series which will introduce eight texts, posited at the start of CITYFALL. But before we start looking at the individual sources in greater detail, this post will offer a very brief overview of all eight, like a table of contents or a post zero if you will.

The texts come from all over the Mediterranean and from transalpine Europe and they all engage with the fall of Acre in one way or another: some at length, presenting detailed accounts of the event and developing complex lamentations and/or political programmes in order to rationalise it, aestheticise it, to render it more plausible, or to use it for political purposes. Others deal with it only in passing or within a limited clearly-defined framework, which nonetheless gives their authors the opportunity to engage with an event whose implications were debated all over the continent.

1. Templar of Tyre, Gestes des Chiprois, between 1314 and 1321, chronicle, Cyprus, Old French.
2. Riccoldo da Monte di Croce, Epistolae de Perditione Acconis, 1291, letters, Bagdad, Latin.
3. Thadeus of Naples, Hystoria de desolatione et conculcatione civitatis Acconensis et tocius terre sancte, 1291, historiographical treatise, Messina, Latin.
4. Anonymus, Excidium Aconis, 1291, historiographical treatise, Paris (?), Latin.
5. Marino Sanudo Torsello, Secreta fidelium Crucis, 1306-1307, Venice, chronicle/crusade propaganda, Latin.
6. Ottokar aus der Gaal, Buch von Akkon, between 1310-1320, Styria, chronicle, Middle High German.
7. Hugo von Trimberg, Der Renner, c. 1300, Bamberg, moral-didactic treatise, Middle High German.
8. Jacob van Maerlant, Van den lande van Oversee, before 1300, Flanders, poem/crusade propaganda, Middle Dutch.

The texts cover a wide range of genres, from letters, over poems, to moral-didactic treatises, and chronicles. Most are written in Latin, but in many European vernaculars too writers found a reason to engage with the loss of the city of Acre and the Holy Land. Some were written directly after news of the event had reached their authors, others decades later. Some were written close-by in the Eastern Mediterranean, probably by witnesses to the events or directly informed by eye-witness reports, others, however, were written in far-flung parts of Europe with no apparent connection to Acre.

Over the coming weeks, I will take a closer look at each of these texts in their respective contexts. The aim is to see how they use the city lament as a discourse form and to what effect. Where are similarities and – almost more interestingly – where are differences? How are texts and lamentations embedded in their contexts? Do texts, which originate in the European-Christian networks of the Mediterranean, choose to focus on different aspects than those written further afield from the events, at the courts and in the cities of transalpine Europe? What do they do to appeal to their audiences? Why do they lament Acre in the first place? Where and how do they assign blame? How to they communicate concern, grief, and – yes, let’s go there – collective trauma in the face of the overwhelming impact of historical occurrence? What remedies do they propose? What reactions? What does the impact of a now past event mean for these texts conceptualisation of the future? Another line of enquiry, which would lead away a bit from the research goal of this project, but seems necessary to get a complete picture, is to see if there were other ways to respond to the event than outpourings of grief and lamentation.

The above list is of course not exhaustive and serves mostly as a starting point for further enquiry. So I expects it to grow significantly over the next couple of months. If you know of any relevant texts or if you have come across any other texts from up to the 1340s/50s, in which the lament for a city – any city! – features, I would be most grateful if you could point me in the right direction.

Mother Ningal, like an enemy, stands outside her city. The woman laments bitterly over her devastated house. Over her devastated shrine Ur, the princess bitterly declares: “[..] Alas, my city has indeed been destroyed before me []. Outside the city, the outer city was destroyed before me – I shall cry ‘Alas, my city.’ Inside the city, the inner city was destroyed before me – I shall cry ‘Alas, my city.’

Lament for Ur, 7. Kirugu, c. 2000 BCE

This is the blog of the Horizon 2020-funded Marie Skłodowska-Curie Research Project CITYFALL. The project is based at the Institute of Classical Philology at the University of Bern where it is closely aligned with the SNF-funded project Lege Josephum! Professor Gerlinde Huber-Rebenich is both the principal investigator of that project and the institutional supervisor of CITYFALL.

Both the blog and the project are run by me – Christoph Pretzer.

In this blog you can expect insights into the various aspects of the research involved with the project, like the sources at the heart of CITYFALL, the epistemological problems I encounter on the way and the theoretical tools I employ to (hopefully) solve these problems. It will also include funny, noteworthy, or simply bizarre observations made along the way, self-indulgent pop-culture references, unabashed medievalist geekery, and reliably tenuous connections to present-day issues and events.

I am aiming for fortnightly posts but in practice this will probably mean a torrent of early posts, which will then settle into a more comfortable semi-regular rhythm, to then infallibly peter out as the actual project work proceeds.

This blog is also hopefully not going to be a one-way-street but rather a welcome space for me to interact with a wider readership, both academic and non-institutionalised, so please feel free to e-mail me, use the contact form of this blog, or flock to the comment section. I am here.

About the project

The project examines the lament for the Levantine city of Acre, which was conquered by the Mamluks in 1291. Of particular interest is how the medieval lamentation for the loss of Acre across various texts written from the late 13th until the mid-14th-century – both Latin and vernacular – ties into ancient and biblical traditions.

The objective of CITYFALL is to understand how medieval authors used biblical and ancient traditions lamenting the falls of cities in their own texts to create the political and cultural identities of the high and later Middle Ages and to negotiate current events by contextualising them in these ancient and biblical traditions. This objective is achieved by pursuing the main research aims:

Aim 1: to track the process of transformation, in which traditions negotiating collective trauma and cultural loss are reshaped into political narratives which could serve as foundational myths for medieval European polities like the German Empire.

Aim 2: to show how medieval authors lamenting fallen cities in medieval texts claim their heritage and make their historical prestige and authority available for the communities they are writing for. With this, new identities can be constructed and contemporary concerns of political and cultural belonging can be negotiated.

Aim 3: to gain a better understanding how medieval authors responded to their audiences need for guidance in the face of historical occurrence they could not bring in line with the cultural axioms of their worldview and how biblical and ancient narrative models helped to reconcile the expectations shaped by these axioms with their evident suspension by historical occurrence.

The goal for of CITYFALL beyond the research objective is to contribute to a growing understanding how medieval Europe was part of a greater East-West continuum of political and cultural imagination, which rested on a shared pool of narratives and discursive techniques.